Gorgona’s “Please Attend”

http://www.art-agenda.com/reviews/gorgona%E2%80%99s-%E2%80%9Cplease-attend%E2%80%9D/

Invitacion Muestra "Dibujos de Luz", Viernes 8

INVITACIÓN

Brindis con motivo de la de la muestra "Dibujos de luz".

Segunda función 2013

Performance y proyecciones animadas de dibujos de Verónica Artagaveytia, nuevo trabajo de la artista donde los dibujos de un sólo trazo danzan entre gasas y sonidos.

La animación es realización de Icodemon y la música es de Pollo Píriz y Berta Pereira.

La muestra estará enmarcada también por escultura, dibujo y otras obras de la artista, que cumple ya tres años en su taller de José Ignacio.

Los esperamos para celebrar

viernes 8 de febrero, 2l hs 

Los Jardines del Canuto, Los Horneros esquina Los Cisnes

José Ignacio/Maldonado/Uruguay

Noticias del Macba

Knight Curatorial Fellowship at Bass Museum of Art, Miami Beach

Knight Curatorial FellowshipAugust 12, 2013–August 12, 2014 Application deadline: April 1, 2013, 5pm Bass Museum of Art 2100 Collins Avenue Miami Beach, FL 33139 www.bassmuseum.org

ARTMargins, Volume 2, Issue 1—February 2013

mitpressjournals.org/artmargins

Mathias Poledna, Dominik Lang, and Miriam Bajtala at Secession, Vienna

Open call for art professionals: residencies at the A-I-R Laboratory, CCA Ujazdowski Castle Warsaw

Lewis&Taggart, The Unfinished Reconstruction of Ujazdowski Castle, 2012. Photo: Lewis&Taggart.

Centre for Contemporary Art Ujazdowski Castle RE-DIRECTING: EAST

Open call for art professionals to take part in residencies at the Artists-In-Residence Laboratory Submission deadline: 28 February 2013 Centre for Contemporary Art Ujazdowski Castleul. Jazdów 200-467 Warsaw, Poland T +48 22 628 12 71/3 www.csw.art.pl

Paris Photo Los Angeles

Ramona web. Argentina.

http://ramona.org.ar/

Centre Pompidou-Metz

2013 exhibition programme
Centre Pompidou-Metz1, Parvis des Droits-de-l'Homme
CS 90490
57020 Metz Cedex 1, France
Hours: Monday–Friday 11–6pm,
Saturday 10–8pm, Sunday 10–6pm

T +33 (0)3 87 15 39 39
contact@centrepompidou-metz.frwww.centrepompidou-metz.fr

New exhibitions
Lines - a brief historyUntil April 1, 2013
Lines - a brief history takes an original view of drawing and lines from 1925 to the present day.

Inspired by the eponymous book by the social anthropologist Tim Ingold, the exhibition expands the definition of drawing to consider how lines form part of our daily lives and environment.

It builds on an important body of works from the Department of Drawings at Centre Pompidou, Paris, Musée national d'art moderne. Some 80 artists are represented, from Vasily Kandinsky to Dove Allouche, with works by Marcel Duchamp, John Cage, Vera Molnár and Giuseppe Penone.

Views from aboveMay 18–October 7, 2013
Views from above considers how the vertical view, from the first aerial photographs of the 19th century to the satellite images of Google Earth, has transformed artists' perception.

Some 400 works spanning painting, drawing, photography, film, architectural models, installations and publications, by over 160 artists including Camille Pissarro, Robert Delaunay, Kasimir Malevitch, László Moholy-Nagy, Paul Klee, Margaret Bourke-White, Sam Francis, Robert Smithson, Harun Farocki and Zoe Leonard offer a new perspective on modern and contemporary art.

Sol LeWitt as a collector. An artist and his artistsApril 19–July 29, 2013
Focusing mainly on works on paper, often acquired through trade rather than purchase, the exhibition—organized in close collaboration with the LeWitt Collection (Chester, Connecticut)—presents an unprecedented ensemble culled from the artist's exceptional private collection.

Allen Ginsberg / Beat GenerationMay 31–September 9, 2013
Centre Pompidou-Metz presents the entire Saga of the Beat Generation, via the manuscripts, books, films, photos, live performances of Allen Ginsberg and his associates in a large-scale digital exhibition, the first of its kind. This multimedia "dematerialized" show will occur simultaneously in four separate European institutions:
Fresnoy-Studio National des Arts Contemporains in Tourcoing (France),
Champs Libres in Rennes (France),
ZKM Center for Art and Media in Karlsruhe (Germany),
Centre Pompidou-Metz.

Hans Richter: EncountersSeptember 28, 2013–February 2014
Centre Pompidou-Metz stages the first exhibition in France of the drawings, paintings and films of Hans Richter (1888–1976), the "man of a thousand faces."

Organised in collaboration with the Los Angeles County Museum of Art, Hans Richter: Encounters will examine Richter's fascinating career as both an innovator and an artist who thrived on collaborative practice.

Paparazzi! Photographers, stars and artistsOctober 9, 2013–March 2014
The "paparazzi phenomenon" is the subject of an unprecedented exhibition at Centre Pompidou-Metz. In an age when gossip magazines are a thriving industry, Paparazzi! sets out to define a paparazzi aesthetic.

Through some 700 works and documents, visitors come eye-to-eye with half a century of photographs of stars.


Still showing in 2013
Sol LeWitt. Wall Drawings from 1968 to 2007 Until July 29, 2013
Thirty-three wall drawings by the American conceptual artist Sol LeWitt (1928–2007), the largest group ever exhibited in Europe, span the artist's entire career from his early grids to his final Scribbles.

ParadeUntil March 18, 2013
Pablo Picasso's largest work, his magnificent stage curtain for the ballet Parade, is at the centre of a documentary-exhibition.

Daniel Buren, Écho d'échos: from above, work in situUntil spring 2013
Daniel Buren has created a monumental work, highlighting and magnifying Centre Pompidou-Metz's wooden roof structure.

Frac ForeverUntil February 25, 2013
More than two hundred photographs from Frac Lorraine (the contemporary art collection of the Lorraine region) are shown in a space plunged into darkness.


*Image above:
Centre Pompidou-Metz © Shigeru Ban Architects Europe and Jean de Gastines Architectes, with Philip Gumuchdjian for the design stage of the winning competition project / Metz Métropole / Centre Pompidou-Metz / Photo Philippe Gisselbrecht.

Image courtesy CLUI Archive (Center for Land Use Interpretation, Culver City, California).

Sandberg Instituut Amsterdam Be realistic, demand the impossible School of Missing Studies 2013–2015 A one-time only, two-year Master's program on Art & Learning at the Sandberg Instituut, Amsterdam Application deadline: April 1, 2013 www.schoolofmissingstudies.net

The Sandberg Instituut is pleased to announce the launch of the School of Missing Studies, a Master's program on Art and Learning, headed by Bik Van der Pol. Commencing in September 2013, the School of Missing Studies is now open for applications.
Application deadline: April 1, 2013
'As political and economic forces have come to shape the perception of culture, (art) education—regarded as a place of cultural production—has fallen behind. Education and learning need to reclaim space, as they are means to participate in politics, creating forms of political socialization.' —Bik Van der Pol, course director

The School of Missing Studies takes its title from an ongoing project initiated by Bik Van der Pol in 2003, in collaboration with artists, thinkers, and architects. Since its initiation, The School of Missing Studies (SMS) has functioned as a nomadic, collaborative platform for experimental study and research of the public environment (public space, public time, public good) marked by, or currently undergoing, abrupt transition. In 2013, SMS will also operate as a one-time only, two-year Master's program at the Sandberg Instituut in Amsterdam. Following the observation that singular disciplines sometimes fail to discern or capture significant knowledge about uncommon or unprecedented situations, SMS brings together practitioners with diverse educational or professional backgrounds, who share a common ideal to make 'the missing' their mission and are interested in (artistic) practice as a modus operandi for imagination and productive speculation. Both art project and Master course, SMS proposes to find common and uncommon grounds for research and practice, from where acute political, social, educational and urban challenges can be articulated and further debated. The School of Missing Studies will run from September 2013 to July 2015.
SMS strongly believes in the intrinsic qualities of artistic practice as a means to disclose—make public—what is at stake in public space. As a platform for experimental learning, SMS considers education as a site of experience and encounter, a strategy for emancipation, and a potential response to public issues. While functioning as a collective space of discourse, analysis, and experimentation, SMS also turns to itself—the space of education—as a model and manifestation of 'publicness,' taking the paradoxical but necessary form of a 'closed' study program. Within the institutional setting of the art school, SMS proposes to formulate a notion of artistic practice that is articulated in dialogue with other fields of knowledge, and that could generate a political attitude towards the need of a more 'general' practice for effecting change and innovation in society, that takes the speculative, the undefined—'the missing'—into account. SMS welcomes students who believe in education as a public good and wish to act on that. As Henry Giroux points out: "Pedagogy not only provides important thoughtful and intellectual competencies; it also enables people to act effectively upon the societies in which they live."
SMS tutors and guests include Ayreen Anastas, Samira Ben Laloua, Bik Van der Pol, Maria Boletsi, Rene Gabri, Ernst van den Hemel, Maria Lind, Sarah Pierce, Praneet Soi, Nomeda & Gediminas Urbonas, and others to be announced.
This pioneer program is open to a maximum of 12 students from varied backgrounds including, but not limited to, arts, design, architecture, and social and urban sciences.
Read more on our webpage at www.sandberg.nl  Inquiries and information: sms@sandberg.nl Follow us on Facebook.
Bik Van der PolThe artistic practice of Bik Van der Pol is collective, leaving the studio as a place of production and using the artistic workplace itself—practice—as a site for research and production. This conscious political and artistic choice has set the conditions for a (social) space generated by dialogue and collaboration where an encounter may happen that might result in a work of art. www.bikvanderpol.net

PARADOX: Positions in Norwegian Video Art 1980–2010 at National Museum of Norway

PARADOX: Positions in
Norwegian Video Art 1980–201015 February–18 August 2013

Opening: Thursday 14 February, 18h
Featuring a concert by Vanilla Riot

National Museum of Norway Museum of Contemporary Art
Bankplassen 4, Oslo
Hours:
Tuesday, Wednesday, Friday 11–17h;
Thursday 11–19h;
Saturday, Sunday 12–17h

www.nasjonalmuseet.no

Arts Professor in Residence Program at The American University in Cairo

The American University in Cairo 2013–2014 Arts Professor in Residence Program The Visual Cultures Program in the Department of the Arts at The American University (AUC) in Cairo: now seeking applications Deadline: March 20, 2013 www.aucegypt.edu

Company descriptionFounded in 1919, AUC moved to a new 270-acre state-of-the-art campus in New Cairo in 2008. The University also operates in its historic downtown facilities, offering cultural events, graduate classes, and continuing education. Student housing is available in both downtown Zamalek and New Cairo. Among the premier universities in the region, AUC is Middle States accredited; its Engineering programs are accredited by ABET, its Chemistry program is accredited by the Canadian Society for Chemistry, and the Management program is accredited by AACSB. The AUC Libraries contain the largest English-language research collection in the region and are an active and integral part of the University's pursuit of excellence in all academic and scholarly programs. AUC is an English-medium institution; eighty-five percent of the students are Egyptian and the rest include students from nearly ninety countries, principally from the Middle East, Africa and North America. Faculty salary and rank are based on qualifications and professional experience. All faculty receive generous benefits, from AUC tuition to access to research funding; expatriate faculty also receive relocation benefits including annual home leave, and tuition assistance for school-age children.

Job descriptionThe Visual Cultures Program in the Department of the Arts at The American University (AUC) in Cairo is seeking applications from both emerging and established artists/designers and filmmakers for its 2013–2014 Professor in Residence program.

Awarding two residencies per academic year, the program offers Visiting Professor artists/designers and filmmakers the opportunity to teach two courses in a cross-disciplinary environment across the three majors of the new Visual Cultures Program at AUC: Visual Arts, Film, and Graphic Design.

Visiting Professors receive an honorarium for sixteen weeks in residence. There is flexibility in how the time in residence will be apportioned.

RequirementsRequired qualifications include an MFA in Graphic Design, Film and Fine Arts (or equivalent), preferably with a significant professional experience in the field of Visual Arts Graphic Design and Film.

Additional informationThe deadline for applications is March 20, 2013.

Application instructionsAll applicants must submit the following documents online:
a) a current C.V.;
b) a letter of interest;
c) a statement of teaching philosophy;
d) a completed Personal Information Form;
e) Please ask at least three referees familiar with your professional background to send reference letters directly to hussref@aucegypt.edu.

Apply here.

University of the Arts Helsinki SAAR 2013: International Summer Academy for Artist-Researchers

August 2–9, 2013 Application deadline: March 23 www.teak.fi/summer_academy

The Summer Academy for Artist-Researchers is a joint project of the University of the Arts Helsinki (Theatre Academy Helsinki, the Finnish Academy of Fine Arts, and the Sibelius Academy) and the Aalto University School of Art, Design and Architecture.

The third International Summer Academy for Artist-researchers will take place in Finland on August 2–9, 2013. The aim of the Summer Academy is to discuss in depth the participants' doctoral projects within the developing discourses of art practice and research. The Lammi research station by Lake Pääjärvi near Helsinki offers an enjoyable and peaceful environment for constructive debates.

All doctoral students (or graduate students in North America) in an academic institution pursuing practice-based research on art are invited to submit applications and proposals to the Summer Academy. The deadline for applications is March 23rd, 2013. Information about the application procedure is available on Summer Academy website.

The Summer Academy provides a supportive setting where artist-researchers from all fields collaborate, present their ongoing artistic work and research, and receive feedback from experienced tutors and peers from leading academic institutions. It reflects the international diversity of artistic research and provides a stimulating intellectual atmosphere, where the participants can discuss, clarify, and develop further the emerging themes of their individual doctoral projects.

The versatile activities include individual presentations of the participants' projects, discussions and feedback in plenary sessions and working groups, individual tutoring and collective work. The maximum number of participants will be 20. The working language is English. The teachers of the Summer Academy 2013 to be announced.

ContactIf you would like further information, please contact summer.academy@teak.fi
Apply here.Deadline: March 23, 2013

Organizing institutionsTheatre Academy Helsinki
Finnish Academy of Fine Arts
Sibelius Academy
Aalto University School of Arts, Design and Architecture
University of Arts Helsink

Fields of Legibility: disciplines and practices of art writing in India presented by Asia Art Archive

Asia Art Archive Fields of Legibility: disciplines and practices of art writing in India

6 February 2013 Casino Hotel conference room Willingdon Island, Kochi-3 Kerala, India www.aaa.org.hk

Asia Art Archive (AAA) will present a one-day public conference titled Fields of Legibility: disciplines and practices of art writing in India on 6 February 2013. The event, co-hosted by Kochi-Muziris Biennale, is the first in a sequence of such programmes that will inform AAA's research towards a series of anthology publications dedicated to the history of writing on 20th-century visual art in India.

Having set up its first Indian research post in 2007, AAA has over the years undertaken a number of research initiatives in the country, ranging from awarding a research grant to Vidya Shivadas in 2009 to critically surveying the field of art criticism in India to a digitisation project of the personal archive of Geeta Kapur and Vivan Sundaram in 2010. Currently, the Archive is working on two more projects. The first involves the digitisation of the personal archives of four important pedagogues in Baroda; namely, Professors K G Subramanyan, Gulammohammed Sheikh, Ratan Parimoo, and Jyoti Bhatt. Asia Art Archive is also compiling an extensive bibliography of art writing in India since the late 19th century, across English and regional languages. Our efforts towards an anthology series build on these prior initiatives and seek to make a contribution to the study of art history and practice in India.

The conference on 6 February hopes to set off this process by means of interlocution, on how writing over the last decades has attempted to make legible the changing field of art, its regional specificities, and in what possible ways we may read those texts today and position them for the future.

Professor Susie Tharu, Geeta Kapur, Professor Gulammohammed Sheikh, Saloni Mathur, Raqs Media Collective, Sadanand Menon, and Professor Parul Dave Mukherjee, amongst others, will participate in the event.

The conference will be followed by an internal workshop (for invited participants only) on 7 February that will serve as a point of departure for testing the structures and parameters for the planned anthology.

This programme is co-hosted by Kochi-Muziris Biennale (India).

Special thanks to Outset Carnoustie as venue partners.

Free registration on site
Seats are limited: first come, first served.
Enquiry: sabih@aaa.org.hk

Parsons The New School for Design Parsons Paris: call for applications

www.newschool.edu/parsons/paris

Earn Your Degree in the City of Lights
Beginning in fall 2013, Parsons The New School for Design will offer master's and bachelor’s degree programs* in Paris taught in English and based on the curriculum and learning opportunities that attract students to Parsons’ New York campus.

Parsons Paris is located in a historic building at 45 rue Saint-Roch, a short walk from the Louvre, the Palais Garnier, Gaîté Lyrique media arts center, and Notre Dame cathedral. Classes will be held here and at locations throughout the city. Course projects and collaborations will bring students into contact with the city’s signature creative agencies, exhibitions, and industry-related events, such as the influential Maison & Objet design trade show and Paris Fashion Week.
Learn from leaders of Europe’s art and design communitiesParsons Paris will draw faculty from across art and design disciplines and practices throughout Europe. As the hub of Parsons’ network in Europe, the Parsons Paris community will capture, and contribute to, the leading edge of theory, practice, culture, and industry.
Global connections: Paris and New York CityParsons students can take advantage of learning opportunities at other Parsons centers—so students in New York can study in Paris and students in Paris can study in New York. According to their graduate path of study, students from Paris will be able to study for one semester or a year in New York.
Applicants accepted into Parsons Paris programs become part of the academic community of The New School, a leading university in New York City. They can supplement their art and design coursework with classes in business, urban studies, environmental studies, and other subjects online or in New York.
Graduate Degree Programs at Parsons ParisDesign and Technology (MFA)Students in this studio-based graduate program investigate interactive systems, including games, physical interfaces, interactive art, dynamic data visualization, mobile media and more. The curriculum draws on history, politics, economics, psychology, ergonomics, and other disciplines. Typical projects involve games, Web and mobile apps, and video, film, and audiovisual performance. Graduates embark on careers in creative, commercial, research, and educational fields.
Design Studies (MA)This rigorous program is intended for students interested in theoretical, historical, philosophical, and social research related to design practices, products, and discourses. It situates design at the intersection of the humanities and social sciences, attracting students interested in becoming public intellectuals who transform information into insight. Graduates are prepared for careers in design research, writing, curating, and criticism, including advanced study.
Fashion Studies (MA)In this groundbreaking program, fashion is studied as object, image, text, practice, theory, and concept. Students develop a critical understanding of its connections to personal and social identity and world history and culture. Graduates can pursue careers in fashion archives, museums, and galleries; media and consulting; and academia.
History of Decorative Arts and Design (MA) Students in this graduate program investigate the stylistic, historical, and theoretical contexts of European and American decorative arts and design from the Renaissance to the present. Students benefit from opportunities to conduct research using local collections and work with curators, educators, and visiting scholars in Paris. Graduates go on to careers as historians, curators, and scholars in museums, universities, historic houses, auction houses, and galleries; work in publishing and communications; and develop entrepreneurial opportunities.
Also offered at Parsons ParisParsons Paris also offers summer programs and undergraduate degree programs in Art, Media, and Technology (BFA), Fashion Design (BFA), and Strategic Design and Management (BBA).
Apply today: start your application here.
Request graduate information

Contact Parsons The New School for DesignOffice of Admission, 72 Fifth Avenue, 2nd floor, New York, NY 10011T 212 229 5900thinkparsonsparis@newschool.edu

*The Paris campus is awaiting review by the Middle States Commission on Higher Education.

Call for applications: Online Master of Professional Studies and Graduate Programs at MICA

Maryland Institute College of Art Call for applications: Online Master of Professional Studies (MPS) and Graduate Programs at MICA

www.mica.edu/businesswww.mica.edu/gradprograms

Call for applications: MICA online graduate business degree for creative professionalsDesigned especially for the unique needs of creative professionals, the online Master of Professional Studies (MPS) in the Business of Art and Design graduate program at Maryland Institute College of Art (MICA) allows students to gain the skills needed to start, grow, or sustain businesses or advance as a dynamic creative manager within an existing one. Through a combination of online instruction and brief residencies at MICA, students gain grounding in key areas including business management, accounting, finance, marketing, negotiation, legal issues, and more. This first-of-its-kind, 14-month program allows students to earn their master’s degree in just over one year while maintaining their current schedule and lifestyle.

Prospective students can learn more or apply at www.mica.edu/business.

Graduate Programs at MICAMICA MFA programs are perennially ranked in the top 10 of MFA programs in the visual arts by US News & World Report, including #3 in Graphic Design and #5 in Painting/Drawing. Sixteen groundbreaking campus-based, online, and low-residency programs include:

Art Education (Online MA)
Business of Art and Design (Online MPS)
Community Arts (MFA)
Critical Studies (MA)
Curatorial Practice (MFA)
Design Leadership (MBA/MA)
Graphic Design (MFA)
Illustration Practice (MFA)
Information Visualization (Online MPS)
LeRoy E. Hoffberger School of Painting (MFA)
Mount Royal School of Art (Multidisciplinary MFA)
Photographic & Electronic Media (MFA)
Rinehart School of Sculpture (MFA)
Social Design (MA)
Studio Art (Low-residency MFA)
Teaching (MAT)

More information about applying to graduate programs at MICA can be found at www.mica.edu/gradprograms.

Founded in 1826, Maryland Institute College of Art (MICA) is the oldest continuously degree-granting college of art and design in the nation. The College enrolls nearly 3,500 undergraduate, graduate, and continuing studies students from all 50 states and 57 countries in fine arts, design, electronic media, art education, liberal arts, and professional studies degree and non-credit programs. Redefining art and design education, MICA is pioneering interdisciplinary approaches to innovation, research, and community and social engagement. Alumni and programming reach around the globe, even as MICA remains a cultural cornerstone in the Baltimore/Washington region, hosting hundreds of exhibitions and events annually by students, faculty, and other established artists.

Información revistas internacionales. ARTFORUM

 http://artforum.com/inprint/#
Download the February issue of Artforum, available now on the iTunes newsstand. And get the iPhone application for artguide—the international art world's most comprehensive directory of exhibitions, events, and art fairs in more than 500 cities—here.

This month, Artforum shines a light on the art of postwar Japan—and its contemporary repercussions. On the occasion of the major New York exhibitions "Gutai: Splendid Playground," opening this month at the Solomon R. Guggenheim Museum, and "Tokyo 1955–1970: A New Avant-Garde," at the Museum of Modern Art, six distinguished contributors reflect on this vital field marked by violence, guilt, and repression as much as by technological and capitalist utopias, examining some of its little-known but no less seminal participants.

· A special portfolio reveals previously unpublished works by Tsuruko Yamazaki—one of the longest-standing members of the Gutai group. Art historian Joan Kee introduces the Ashiya-based artist, whose resolute investigation into chemical and physical transformation via materials such as tin, vinyl, acrylic, and mirrors continues today.

"Yamazaki understood, perhaps better than any of her colleagues, the generative possibilities of thinking about visual manifestation and substance together. Objects were always as they appeared, and herein lay the challenge."
—Joan Kee

· For nearly a decade, Ei Arakawa has staged performances with startling brio, his makeshift sets, friendly throngs, and offhand gestures signaling a type of eccentric event that won't be limited by art's normal viewing structures. But the New York–based artist also continually revisits the global experimental art that has come before him, from Fluxus to Gutai to Jikken Kōbō. Curator Catherine Wood explores Arakawa's reenactments—and unmoorings—of this history.

"The artist, Arakawa knows, can no longer simply be present."
—Catherine Wood

· Akasegawa Genpei and Hi-Red Center advanced their own brand of "Capitalist Realism" in 1960s Tokyo. Historian William Marotti recounts their direct disruption of circuits of exchange, beyond the limits of the artwork.

"A piece of 'fake' money is more of a problem for power than a Molotov cocktail—and the implications of that fact are what Hi-Red Center went on to explore."
—William Marotti

· Plus: Akira Mizuta Lippit looks at the nationalization and denationalization of Japanese film; artist Norio Imai gives his personal account of Gutai's embrace of technology; and Steven Ridgely lays out the prescient, countercultural graphic design of Tadanori Yokoo.

"Yokoo torqued the industry of perceptual manipulation toward his own ends—with an insistence that we are immersed in commerce from the start."
—Steven Ridgely

· Also: Jessica Morgan reconsiders Pop as a global phenomenon; Achim Hochdörfer registers the physical impact of Wade Guyton's survey at the Whitney Museum of American Art; Nicholas Cullinan measures the Whitechapel Gallery's Mel Bochner retrospective; and David Velasco exchanges "1000 Words" with former members of Art Club 2000 about their 1992–93 photo series "Commingle"—to be reprinted for the New Museum's forthcoming 1993 survey show—and the New York art world as they knew it.

· And: Mira Schor puts to rest the art criticism of the late Robert Hughes and Hilton Kramer; John Beeson scripts an "Openings" on Berlin-based artist Gerry Bibby; Christian Kravagna answers Kerry James Marshall's "Who's Afraid of Red, Black and Green" at the Secession, Vienna; Tom Gunning imagines the future of film spectatorship according to Gabriele Pedullà's In Broad Daylight; Martin Jay eulogizes Eric J. Hobsbawm's art-historical contributions; Dennis Lim says yes to Chilean director Pablo Larraín's newest film, No; Kellie Jones and Robert Farris Thompson discuss a diachronic approach to the study of the African diaspora; and LA-based filmmaker Grant Singer charts his Top Ten.

Visit Artforum online at www.artforum.com.
To subscribe, visit www.artforum.com/subscribe.

"Espacio de conflicto" de Fernanda Chemale (BR)

La fotografía de un espectáculo lidia con algo muy sutil, muestra un instante que ya no existe, y al mismo tiempo, lo preserva...

Del viernes 16 de noviembre al 27 de febrero
[CdF Fotogalería] Solís
Buenos Aires esq. Bartolomé Mitre
http://cdf.montevideo.gub.uy/exposicion/espacio-de-conflicto

DIFUSIÓN: Convocatoria École Nationale Supérieure des Métiers de l’Image et du Son

Comunicamos a todos que las inscripciones para el concurso internacional de la Escuela Nacional de Cine Francesa FEMIS (http://www.lafemis.fr/) estarán abiertas hasta el 22 de febrero de2013.



Contacto: Dirección General de Relaciones y Cooperación