
PhDArts
Call for
applications:
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Research in and through artistic practice Application deadlines: April 1, 2013 or October 1, 2013 info@phdarts.euwww.phdarts.eu
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PhDArts
Call for
applications:
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Research in and through artistic practice Application deadlines: April 1, 2013 or October 1, 2013 info@phdarts.euwww.phdarts.eu
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Royal College of Art
MPhil/PhD Programme
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Royal College of ArtKensington GoreLondon SW7 2EU www.rca.ac.ukhumanities.research.rca.ac.uk Based in the world's most influential university of art and design, the School of Humanities Research Programme offers a unique opportunity to undertake scholarly research of the highest quality in a wholly postgraduate environment. Applications are welcomed from students with an art or design history background, from practitioners who wish to pursue a critical engagement with their specific discipline, and from students from outside the art-school environment who wish to specialise in art or design research. We offer a broad range of supervisory expertise that extends across the whole spectrum of architecture and urbanism, fine and applied art, communications, design, fashion and textiles. This allows us considerable versatility in the kinds of research that we support. We welcome applications for MPhil and PhD either by thesis or practice in areas of Humanities research. Students are based in a specific programme and also participate in a school-wide research programme. To gain an insight into some of the approaches undertaken by current research students, visit humanities.research.rca.ac.uk. Critical Writing in Art & Design develops critical perspectives on contemporary art and design. Students undertake an individual programme of studies which results in the production of a thesis. Other kinds of written works will be considered if they fit within the College's definitions of 'research by project'. We are particularly interested in encouraging new thinking into aspects of the history and contemporary practice of criticism, critical theory in art and design, the changing face and content of the media, and word and image relations. We are also keen to support interdisciplinary work (in, for instance, the borderlands between art and anthropology or between graphic design and journalism). Critical & Historical Studies supports a research programme that is intimately linked to our role as the college-wide provider of critical and historical discourse for all studio-based MA students at the RCA. CHS supervisors are authorities in the disciplines of architecture and interiors, design, fine and applied arts, fashion and communications, and we welcome applications to explore and develop these disciplines, and any combination of them, from an historical, theoretical, or critical perspective. In particular we encourage proposals that deal with contemporary aesthetics; the history & theory of photographic practice, of performance, of craft and of design; and the historical study of cities, transport, technology, and infrastructure. Curating Contemporary Art facilitates research on all aspects of curating from exhibition history to transnational issues of curating to a critical engagement with curating as a profession, a discipline or even a way of looking at the world. Our programme is unique in its ability to provide support in respect to both practice and theory. Through 'research by project,' practical curating can be integrated into research projects and developed towards academic standards of excellence. Students are encouraged to take advantage of the interdisciplinary framework of the School and to participate in research activities throughout the College. The CCA programme prides itself in its long-established curatorial tradition, in its international network and its translocal outlook. V&A/RCA History of Design welcomes research topics in design history and material culture, ranging from the 15th century to the present day, across global geographies. The programme is run in conjunction with the V&A Museum and offers unique access to curators and collections and is supported by team of course tutors based at both institutions. Our subject expertise ranges across fashion and textiles, architecture and interiors, design and craft, materials, manufacture and making, trade and exchange. We are particularly interested in research in the areas of Renaissance and Early Modern design history; Asian design history, and modern and contemporary subjects. For further information on application, fees and available funding, please visit rca.ac.uk/applications. UK, EU and overseas applicants may be eligible to apply for one of 10 new scholarships set up to mark the 175th anniversary of the RCA. For further details of the 175 Anniversary Scholarships, visit www.rca.ac.uk/175scholarship. |

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SMFA shares its campus with the internationally renowned Museum of Fine Arts, Boston—one of only three schools nationally that are partnered with a major museum. Our students have unsurpassed access to an encyclopedic collection of art and the Museum's curatorial, conservation and history departments. Post-Bac students design their own path of study with close mentoring from faculty and are encouraged to explore across media. All Post-Bacs receive private studios and weekly studio visits by SMFA faculty—who are all practicing artists—offer students the chance to obtain critiques and advice on a personalized level. Weekly seminars covering important contemporary topics, field trips and dialogue with museum curators, collectors, gallerists, critics and visiting artists, foster professional networking opportunities. Much more than a rigorous studio experience, SMFA's Post-Bac program encourages engagement with the thriving art scene of Boston, and beyond. Our Post-Bac graduates leave with a critical awareness of contemporary art and practice and a clarified understanding of their educational and professional goals. ApplyPost-Bac students are eligible for the SMFA Merit Scholarship. We are now accepting applications for the fall 2013 term. Apply online or contact us at 800 643 6078 or admissions@smfa.edu for more information. About the School of the Museum of Fine Arts, BostonFounded in 1876 and accredited by the National Association of Schools of Art and Design, the School of the Museum of Fine Arts, Boston (SMFA), is one of only three art schools in the country affiliated with a major museum—the Museum of Fine Arts, Boston. Our mission is to provide an education in the fine arts—for undergraduate and graduate artists—that is interdisciplinary and self-directed. This education values cultural, artistic and intellectual diversity; it embraces a wide range of media; it stresses the development of individual vision and its relation to culture in general; it values equally the knowledge gained by thinking and doing; it is deeply engaged with the world as a whole. If the mission is constant, its practice is always transforming. For more information about our programs and partnerships, visit www.smfa.edu. |
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Zenas Hutcheson, Untitled Dance
for Film.
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Wesleyan University
Institute for Curatorial
Practice
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Wesleyan University 45 Wyllys Avenue Middletown, Connecticut 06459 www.wesleyan.edu/icpp |

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